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Audition users get the bonus of Creative Cloud online services, which are available for most professionals and corporations. Specifically, paid members get access to an online site that provides guidance, tutorials, and, if they meet certain criteria, a 24-hour online technical support person. For an extra fee, members can add Adobe Stock, which is a fully integrated online library of stock photos and illustrations. All of this is available to the members of the Creative Cloud, and can be used anywhere you have a web browser, on any computer you can log in to, and across any number of devices.
People who want to learn more about the audio editing tools in Audition can also download sample tracks, which can be used for both basic or intermediate production, as well as learning how to use Audition in an educational setting. See a complete list of training videos.
Or, if you want to preview a sample track, Audition creates a PDF with the information you enter, and for no extra cost. Free registration lets you try out the Adobe Mix web site. (You can’t test or buy a membership, but you can talk to other users of the service.)
It’s an interesting tool for audio students. If you’re in college, you’ve probably already heard and used Avid Pro Tools or Sony’s FS Pro. There’s no way to inexpensively study its features and compare them to audio editors in your native DAW. But Adobe Audition is a tried-and-true staple in high-end audio technology, and Audition provides a solid introduction to video and film editing tools as well. Its an easy way to get started with Adobe Creative Cloud. If you have a Mac, download the free trial of the program, and if you like it, go ahead and get the full version.
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Audition’s features are equally well-suited to cleaning up songs for DJ’ing, but if you’re a video editor, there’s no better podcast editor out there. In fact, there’s no better video editor for editing podcasts either. Audition’s ability to handle transitions (either soft or hard) is unmatched, especially when you consider its sister software, Premiere Pro, is not as good. In addition, there are no half-measures when it comes to cleaning up your audio using Audition. If a microphone sounds like a lawnmower blade, Audition can adjust individual audio frequencies in a precise way to help smooth out the sound. It can also fix or tweak hissing, cracks or pops, and correct over-compression from a compressor.
There are audio workstations that are cheaper, and many that are more expensive, but none are as powerful, flexible, or capable as Audition. You need a solid understanding of audio, a healthy dose of know-how, and the time to learn the ins and outs of a program like this. Starting a project that requires Audition is time consuming, and completing it is even longer. That said, if you’re looking for high-quality podcasts, sound effects, or music remixing, it’s hard to match Audition. It’s also an essential tool for anyone who does a lot of audio, especially if you don’t have a lot of experience with its sister software, Premiere Pro. Audition comes free with a Creative Cloud subscription.
For most feature-rich tools, Adobestarts at $50/year. For free, you get the latest version of Audition, cross-platform audio editing, the ability to import audio libraries, and other toolbox staples. Audition will also import MXF files (from camera video) in addition to both ProRes 422 and ProRes RAW, so there’s no need to convert your videos before editing.
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Adobe Audition Features
There are four modules in Adobe Audition Key: Track, Transient, Effect and Volume. Track is similar to the Edit tab in Audacity, while Transient enables you to locate and reduce noise, regardless of where it is, and Effect lets you add special effects such as adding noise, reverberation or stuttering. Volume lets you adjust the audio levels of your audio tracks.
Audition and Audacity are similar in almost all aspects. Adobe Audition and Audacity both feature four modules. The track module, Transient detection, and Effect and Volume modules are equivalent.
In Audacity, in the Track module, you can trim the audio youre working on. In Audition, you trim with the new Timeline tool. In Audacity, the Effect module lets you add a wide range of special effects to the audio youre editing. In Audition, you can add distortions, ambience effects, and many others, using the Effect module. When you record audio, you can add as many effects as you want. You can put them on one track and play them sequentially.
What is really startling about Audision’s new features, however, is that they are not audio effects. The Tracks in Audition, and in Audacity, are not special effects, transformations, or alternations. They are simply tracks.
In Audition you can have multiple audio tracks. If you only have one track, Audition makes it easy to edit the audio on that track. You can apply effects to the audio track, place markers where you want the audio to start and end (just like a video editor would) and export the track. To create more than one track, you will need to add additional audio tracks. As you add more audio tracks, you will need to apply effects to the new tracks. To export audio, you can output the track to a WAV, MP3 or other audio format. You also have the ability to export individual files or the entire project as a ZIP file.
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What’s new in Adobe Audition
- R&D workflow is totally new. Features both preset and non-preset based automation, so you can hit your creative values faster. You’ll be able to mix and master faster too, thanks to a new Detach audio metering engine that will keep your source sounds isolated for true metering accuracy.
- Dramatically improved HDR image editing with the all new Tri-CCD technology. And image workflow even faster and easier with a powerful new clone tool, dynamic stitching, improved live-edit, and higher quality canvas.
- New LUT (look-up table) system that is built into the NLE. This means you can download a new LUT to Photoshop or Lightroom and immediately apply it to any project, without manually selecting the LUT. Also, you’ll be able to access the new LUT module in Photoshop from inside the NLE in the future.
- Mobile support. Canvas for iOS & Android devices is ready and will be the first mobile device NLE capable of real-time audio monitoring. Audiobus support provides Ableton Live integration with the desktop, a new service.
Adobe Audition System Requirements
- Operating Systems
- Windows Vista/Win7/Win8/Windows
- Mac OS X 10.7 or later
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